INFO

āĻĒā§āĻ°āĻŋāĻ¯āĻŧāĻ¤āĻŽāĻ•ā§‡ āĻ¸āĻžāĻšāĻžāĻ¯ā§āĻ¯ āĻ•āĻ°ā§‡āĻ›ā§‡

1 year after the official split-up of the legendary collective – during which the group consistently and legitimately went their separate ways – HALF DARLING have come together again in 2021. Officially there were no grand gestures of reconciliation, on the contrary: The differences are more drastic and the fronts more hardened than ever. However, the bandhas officially stoped with their infamous “No Body-No Mind” lectures, their dubious GFCI- references and the outdated shuffle styles to- from now on- continueas a rather mediocre music group. At least this was the last official board resolution. Specific content has not yet been announced, none of the founding members are currently likely to be involved in the project. An attorney’s office is available to answer any questions. Yes and No, Half Darling is not a crime.

HALF DARLING:
ELISE MORY (synth), LISA KORTSCHAK (vox), GREGOR MAHNERT (guit), WERNER THENMAYER (drums) and a guit in switching mode- currently OLIVER STOTZ

TECH-RIDER: http://halfdarling.klingt.org/2022/11/Techrider.pdf

CONTACT: halfdarling@klingt.org
……,……….,,……….,……………,,………….,.
insta- https://www.instagram.com/halfdarling/
fb: https://www.facebook.com/Half-Darling-106410541722506

FOTOS from Salon skug (23.09.2021@fluc):
http://halfdarling.klingt.org/wp-content/uploads/2022/03/DSC_0087.jpg
http://halfdarling.klingt.org/wp-content/uploads/2022/03/DSC_0899-scaled.jpg
http://halfdarling.klingt.org/wp-content/uploads/2022/03/DSC_0063.jpg
http://halfdarling.klingt.org/wp-content/uploads/2022/03/DSC_0957-scaled.jpg

Scoll down for the band-description in further languages.

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Kimbadanti sam’milita – ēbaᚁ (ēbaᚁ 2 bachara) ēra aphisiáēÄla bilōpēra 2 bachara parē ē’i gōášŖáš­hÄĢáš­i dhārābāhikabhābē ēbaᚁ baidhabhābē tādēra prĖĨthaka upāáēÄ“ calēchē – ē’ica’ēla’ēpha ḍārliṅga ābārō 2021 sālē ēkatrita haáēÄ“chē. BiparÄĢtē, sarakārÄĢbhābē kōna’ō milanēra mahaᚯ aṅgabhaṅgi chila nā: Pārthakyaguli āra’ō kaáš­hōra ēbaᚁ phranáš­aguli āgēra cēáēÄ“ āra’ō kaáš­hōra ened yā’ihōka, tādēra kukhyāta“nō baḍi-na mā’inḍa“ lēkacāra, tādēra sandēhajanaka ā’i’ēphasisi rēphārēnsa ēbaᚁ purānō paribartanēra śailÄĢra sāhāyyē tārā abaśēášŖē śēášŖa haáēÄ“ gēchē ēbaᚁ ēkhana thēkē tārā baraᚁ ēkaáš­i madhyabitta gānēra dala hisābē pratiyōgitā karabē. KamapakášŖē anuyāáēÄĢ aphisiáēÄla kamiáš­ira sid’dhāntē ēkhana’ō abadhi nāmakaraṇa karā haáēani, ēbaᚁ pratiášŖáš­hātā sadasyadēra kē’u’i jaṛita thākāra sambhābanā nē’i (tabu’ō) ēkaáš­i ā’ina phārma praśnēra jan’ya upalabdha, hāpha ḍārliᚁ kōna’ō aparādha naáēa